In Synthetic, self becomes system. The artist mines her own data—those quiet residues of online life—and offers them back to us as both mirror and warning. Here, the personal is algorithmic, the intimate engraved.

This is not just a reflection on surveillance or ownership, but on the haunting beauty of what we leave behind in digital space. The work is clinical, elegiac, precise—an artifact of our age, and a sign of what may come.