My work has a ritualistic nature rooted in the psyche and the spirit. These abstract, autonomic landscapes draw from mythological systems such as shamanism, astrology, and esoteric thought, not as symbols to be illustrated, but as structures for experience.

Fire is central to my practice. Using smoke, I draw skeletal maps that guide each composition. What no longer serves is burned away, clearing space for reflection and opening the work to discovery. Smoke becomes both method and metaphor, a way of navigating uncertainty through erasure and transformation.

The force of the work emerges from the synergy between smoke, movement, and color. Each layer marks a passage through time and space, accumulating into a field where multiple realities coexist. The resulting landscapes are not fixed terrains but shifting zones, inhabited by traces of ghosts, flesh, dreams, and fantasies, bound together in uneasy union.